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ARTICLES• Pearls of Wisdom • On Mind Change • On Half Halts • Toward Perfection • On Forward • On Balance • On Teaching Rein Aids • Seeking Harmony • Respect • Partnership • Creating Feel • Rein Connections • Engagement • Contact • Tools & Techniques •

On Teaching Rein Aids

I think that what it will give you is greater access to your horse’s body parts.  You will learn how to connect the rein (and your body) to your horse’s feet, shoulders, hips, poll etc…You will develop a better feel for where your horse is out of alignment and how to correct it. And you will learn what it feels like to ride on a release and to ride a horse that is relaxed and soft and working in self carriage.

KB/tctt

You have brought up a good question about the WWYLM game.  It is very common for horses to slow down as they learn about softening and giving to the pickup of the rein. In the beginning this is ok as in-hand work is meant to be slow and precise. I remember reading years ago that “speed is your enemy” when working horses in hand (Col. Carde).

So I keep that in mind when I start horses in hand and they are learning to organize their bodies.  I will allow the horse to move at its own pace when first doing this work, but if the horse seems to get slow or stuck, then I will walk them briskly along in between efforts.  So I might ask for a give and softening and allow the horse to deviate slightly from the circle. But then the next time I pick up the rein, I will either use the rein as a leading rein to walk them forward in front of me, or I will tap with the whip. When I first learned this work, Alex was insistent that I work with a whip. Sending a horse forward from behind with the whip is not the same as pulling the horse forward with the reins. You want the horse coming up from behind into the lateral work.   

With this in mind, I do usually do in-hand work with a dressage whip and will use the whip as a go forward cue to keep the energy up. However, I do also use a leading rein to bring the horse back on to the circle.  I have found that unless the horse is so sluggish that I have to pull (which I don’t want to do), I can use my leading hand to open the horse’s throatlatch and straighten the neck.  If I straighten the horse’s neck as I send him forward and then ask for a give, it is allowing the horse to learn how to use his neck correctly and he has to keep practicing how to find the correct alignment of his neck as he goes into lateral work. This is much more productive because my goal is not to have the horse become fixed in his front end.

It also shows the horse that not every pickup of the rein means slow down. Sometimes the pickup of the rein will end up meaning release forward into the rein if I use the rein in conjunction with my legs or forward intent.  My goal is to teach the horse to be infinitely adjustable between my hands and legs so that he finds balance through movement and not by trying to hold a fixed position.

If the horse has gotten in the habit of curling up behind me, then I will go back to my first version of WWYLM which is when I just march along the circle and ask the horse to stay with me by matching my energy, and allowing me to draw him back on to the circle with my inside rein. I think it is helpful to remember that all this lateral work and in-hand work works on many levels. Some of it is to educate the horse about the aids, and improve strength and flexibility. But for a dressage rider, it is ultimately about preparing the front end for the energy of the hind end so that the horse learns to balance and carry himself with energy and lightness. 

Well, that was the long answer. The short answer to your question is “add energy.”

KB/tctt

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In the interests of brevity these excerpts are all taken from copyright sources and are taken from either the clickryder email discussion group list, or the_click_that_teaches email discussion group list, and individual excerpts are acknowledged thusly SF/CR, or AK/TCTT for example. All articles are owned exclusively by the authors and permission to reprint should be requested directly from the authors as noted below.

Sharon Foley
sharon@horsemansarts.com
www.horsemansarts.com

Alexandra Kurland
www.theclickercenter.com
 
(Copyright 2006 Alexandra Kurland
and The Clicker Center, LLC) 

Jord-Ann Ramoudt
www.heart-felt.com
Clickryder

Katie Bartlett
www.equineclickertraining.com

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