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ARTICLES• Pearls of Wisdom • On Mind Change • On Half Halts • Toward Perfection • On Forward • On Balance • On Teaching Rein Aids • Seeking Harmony • Respect • Partnership • Creating Feel • Rein Connections • Engagement • Contact • Tools & Techniques •

Creating Feel

One of the most common issues is backwards traction on the inside rein.  I wish I had a penny for every time I've heard an instructor say "Let go of the inside rein".  I wouldn't have to worry about supporting my horses. They'd be set for life! 

Backwards traction is such a problem. Without even being aware that you are doing it, you can be dragging back against the inside rein, using it to block and hold your horse to keep him underneath you.  

Related to that is the issue of over steering with the rein. That means instead of waiting for the horse to respond, the rider uses the rein to essentially drag the horse around.  We're such an impatient species.  We want to make things happen. We slide down to a point of contact, nothing happens, so we keep going and compel a change. 

I'm suggesting a different tactic, one where you set it up and wait.  Now that should sound familiar to a great many of you.  But how do you do it?  How do you break your old habits and set up a new pattern?  Grabbing, holding on, making things happen, these all come so easily to us.  How do you instead go to a point where have established contact and then wait for the horse to respond? How do you know when your hand is stable, quietly waiting, instead of taking that extra, little make-it-happen feel?

That's in part what these single-rein exercises are for.  They teach the rider how to establish a stable point of contact so the rein can do its job.  What is it's job? It's to say "I want something".  And then to say, "thank you, you just gave it to me." It is not to drag the horse around by the nose, or to act as an anchor holding back the horse's energy, or to punish the horse for misbehavior.  It's message is simple: "I want something".  And then, "thank you, you just gave it to me."   

As you go on through this work, you will find that other messages can be layered in on top of this simple message, but initially that's all you want to say down the rein.  As you quiet down your hands and simplify their job, you will discover how much more clearly you can use the rest of your body to communicate with your horse.  

Initially it can seem as though a lot of attention is being paid to the reins and to the rider's hands.  That's in part because we have to change habitual patterns.  It is not a normal, natural reaction to slide down a rein and wait for the horse to respond.  It takes focused training for that to become the dominant pattern.

It can also seem as though single rein riding is all about using just your hands because not a lot of time is spent talking about your seat or your legs.  This isn't because they aren't important, but because the process will create body awareness.  When you look back at your horse's hip to ask for your horse to step under more with his inside hind leg, you can't not use leg.  Your legs are part of that turning back to look.  

Repeat the process enough and you will become aware of what your legs are doing. Some responses will work out better than others.  What makes the difference?  Just as we shape behavior in our horses, you'll begin to shape behavior in yourself. You'll notice the shifts in your seat and legs, and you'll become more deliberate in using them.  They will become cues for your horse.  The rein will be saying "I want something" and your body will be telling him what. 

School provides so many great analogies.  The inside rein in particular is very much like that over-eager kid in class who has his hand up before everyone else and is shouting out the answer.  He never gives the other kids a chance to respond.  That's what happens so often with the inside rein.  It's doing too much, taking on too many jobs, so you never get a chance to discover how neat it is to create a change in your horse's balance using just your breath, or a subtle shift of your shoulder blades, or a change in muscle tone in your thigh.    

Alexandra Kurland
www.theclickercenter.com
 
(Copyright 2006 Alexandra Kurland
and The Clicker Center, LLC) 

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In the interests of brevity these excerpts are all taken from copyright sources and are taken from either the clickryder email discussion group list, or the_click_that_teaches email discussion group list, and individual excerpts are acknowledged thusly SF/CR, or AK/TCTT for example. All articles are owned exclusively by the authors and permission to reprint should be requested directly from the authors as noted below.

Sharon Foley
sharon@horsemansarts.com
www.horsemansarts.com

Alexandra Kurland
www.theclickercenter.com
 
(Copyright 2006 Alexandra Kurland
and The Clicker Center, LLC) 

Jord-Ann Ramoudt
www.heart-felt.com
Clickryder

Katie Bartlett
www.equineclickertraining.com

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